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Barcelona is the capital city of Catalunya - Catalonia - and the second largest city in Spain. There's an active CS community. You can check the Barcelona group on CS to keep up to date with Barcelona CS activities. Welcome to BarcelonaHow can I get to Barcelona? What can I do? What can I see? How is the couchsurfing community here? Well, start reading! : ) Barcelona>Catalunya>Spain>Europe Barcelona's short name is BARNA or BCN. If you refer to it as Barça, Barca (btw, it means 'boat' in English) or Barsa, you mean the football team. Arsenal is not London, Juventus is not Torino, Steaua is not Bucharest, CSKA is not Moscow... so Barça is not Barcelona :DDD Keep this in mind when you want to get in touch with locals :P Climate & WeatherPlanning a trip to Barcelona? Here you have the monthly climate average with max and min temperature and monthly rainfall. Already here in Barcelona? Just want to check the weather report? Several links: Yahoo-Weather | Barcelona's official website | weather at Meteored | Weather @ TV3
Getting hereBarcelona AirportMany companies fly to El Prat which is connected regularly to the city by a bus and a train service RENFE). El Prat is about 30 minutes by train to Sants train station. A single ticket is about €1.40, but an under-advertised fact is that you can use the T-10 ticket (€7.85 for ten trips, including all bus and metro transfers made within 75 minutes) instead. You can buy a T-10 from the ticket vending machine at the airport station. Updated info new Terminal Terminal names has changed now we have T1(new one), and T2 (A-B-C Old one). Barcelona airport passengers can easily travel between the two terminals on the shuttle bus service that will be in operation. There will be two shuttle buses covering the distance between T1 and T2. From the Renfe (Cercanías/Rodalia) suburban train station, situated next to T2B, there will be a shuttle that coincides with train arrivals. At T2B there will be another shuttle service which departs every six or seven minutes. Neither shuttle takes longer than 10 minutes. Aerobus lines, more info and timetable on Web: * Aerobus (A1) Airport (T1) - Plaza de Catalunya. T1 (departures and arrivals roadway) bus stop * Aerobus (A2) Airport (T2) - Plaza de Catalunya. Opposite T2B (opposite the Joan Miró mural) and T2C Metropolitan bus lines: * L77 Sant Joan Despí-Airport. The bus stop is situated on arrivals roadway. * L99 Castelldefels-Airport. The bus stop is situated on arrivals roadway. * PR1 El Prat-Airport. The bus stop is situated on arrivals roadway. * 46 Plaza España-Airport. * N17 Plaza Catalunya-Airport. Regional bus lines. The bus stops are situated on the arrivals roadway: * Directbus. Airport-Estación de Sants (railway station)-Andorra-Sant Julià de Lòria. * Empresa Plana. Airport-La Pineda-Salou-Port Aventura-Cambrils. * Mon-Bus. Barcelona-El Vendrell. * Rapid Aeroport (Alsa). Services for Girona, Figueres, Lleida, Reus, Port Aventura and Tarragona. * Novatel Autocars. Airport-Andorra
Girona AirportSome low-cost carriers, notably Ryanair, use the airport in Girona, nearly 100km to the north, to connect Catalunya with Europe and Morocco. The Barcelona Bus service runs a shuttle bus from Estació del Nord in Barcelona to Girona Airport. A one-way ticket costs €12 and a return ticket costs €21. The journey takes approximately one hour and ten minutes. If you want to know the timetables of the buses from there check this page: Horaris aeroport de Girona / Girona airport bus Timetables De l'aeroport de Girona a Barcelona centre / From Girona airport to Barcelona downtown De Barcelona centre a l'aeroport de Girona / From Barcelona downtown to Girona airport Reus AirportFor Reus airport, the easiest way is to take the train from Barcelona Sants station to Reus and then the local bus to the airport. The train costs €6.45 and then the bus costs €2. This takes roughly an hour and a half. Or there's another option: Bus from Barcelona Sants station directly to Reus Airport. You can also arrive to Barcelona by ferry, bus, train...
Hitch-hikingCheck these websites: Hitchwiki Barcelona | Hitchbase Barcelona Although Spain is not an easy country for hitchhiking, and barcelona is a big city, it's quite easy getting a ride at one of the two gas stations reachable by local trains described at the links above.
Nitbus in Barcelona
All the night buses stop around Plaça Catalunya (Map | Guide). Routes and maps for the different buses:
* N10 - (PDF) these line doesn't exist at these moment Public Transport updated 2010 rates
MeetingsBarcelona has a growing active community that organizes meetings from time to time, end 2006 on a weekly basis. You can check the Barcelona group on CS to keep up to date with Barcelona CS activities. It is always a good idea to contact one or two active members personally to know if there is anything going on. Also it's available the Barcelona CS Calendar
When to Visit: Festivals and Events
See and Do - Touristic BarcelonaCheck the excelent resource WikiTravel Barcelona Museu Picasso The Museu Picasso de Barcelona is the chief reference point for knowledge about Pablo Picasso’s formative years, and bears witness to the close relation between the artist and the city. Five Gothic mansions house this museum which, in addition to works from the artist’s youth and later life, such as the Blue Period, also contains the magnificent Las Meninas series, a rich interpretive exercise based on Velázquez’s famous work. Fundació Caixa de CatalunyaTen years after its inauguration and coinciding with the centenary of the start of the construction of Milà House, the Fundació Caixa Catalunya has reopened the Espai Gaudí. It is a place of reflection, exploration and discovery, inviting the public to participate in an intellectual and sensorial experience which aims to let Gaudí speak for himself in the exceptional setting of La Pedrera attic. In addition to the Espai Gaudí, the visitor can see the courtyards, La Pedrera Apartment, which recreates the ambience of a middle class home of the early 20th century, and the roof, surprising for its artistic and symbolic power. Fundació Antoni Tapies Fundació Antoni Tàpies, housed in a Modernist building in Barcelona’s Eixample district, was established in 1984 by the artist Antoni Tàpies for the purpose of promoting the study and knowledge of modern and contemporary art. The Foundation organises temporary exhibitions, lectures and film seasons in order to contribute to a better understanding of contemporary art and culture, as well as possessing one of the most complete collections of works by Antoni Tàpies. MACBA The Museu d’Art Contemporani de Barcelona (MACBA) houses an important collection of artworks from the last fifty years. Besides a selection of works from the permanent collection, the museum also provides a broad programme of temporary exhibitions and organises activities related to contemporary culture and art. The building itself was designed by the American architect Richard Meier. CCCB The Centre de Cultura Contemporània de Barcelona (CCCB) is a centre that organises exhibitions and activities in such diverse spheres as music, film, dance, performance and anything involving artistic experiment. MNAC The magnificent collections at the Museu Nacional d’Art de Catalunya (MNAC), covering from the 11th to the 20th century, illustrate, amongst others, two outstanding periods in Catalan art: the Romanesque, with a collection unique in the world; and Modernisme, featuring outstanding works by such artists as Antoni Gaudí, among others. The museum site also commands spectacular views over the city. Fundació Joan Miró Fundació Joan Miró de Barcelona, housed in a magnificent building by Josep Lluís Sert in the Parc de Montjuïc, contains the finest public collection of the work of Joan Miró, with 300 paintings, 150 sculptures and the complete graphic works. The Foundation also presents a regular programme of temporary exhibitions by 20th century artists.
Modernist RouteThe Barcelona Modernisme Route is an itinerary that takes you through the Barcelona of Gaudí, Domènech i Montaner and Puig i Cadafalch, the architects who, together with others, made Barcelona the world capital of Modernisme. This Route enables you to get to know thoroughly impressive palatial residences, amazing houses, the temple that has become a symbol of the city and a huge hospital, but it also includes humbler and more everyday buildings and items such as chemists’, shops, lampposts and benches - 115 works in all which show that Art Nouveau put down strong roots in Barcelona and today Modernisme is still an art that is alive and part of life in the city. You can follow the route with the aid of signs on the ground that are part of the very urban landscape of the city. These are small red paving stones set into the pavement that mark out the main sections of the Route’s and go past the Modernista works on the rest of the itinerary. For those of you who prefer to get to know Barcelona’s Modernista masterpieces without following a pre-set route, here is a list of the thirty most recommended monuments:
Bars with History - Places with its own styleLocales con historia: He aquí una serie de lugares únicos donde hacer un alto en el camino. Todos ellos se encuentran en edificios o en entornos con mucha historia: Andy Blue (Segre, 24) Café, restaurante y copas. Este local se encuentra en una antigua fábrica textil del siglo XIX que hoy alberga también una de las mejores bibliotecas de Barcelona. Donde se escuchaba el traqueteo de los telares, hoy se oye el tintineo de platos y copas. Bar Almirall (Joaquín Costa, 33) Situado en una de las calles con más mezcla cultural de Barcelona, el Almirall es un bar muy antiguo (1860). Lugar de ambiente bohemio y decoración modernista, como el bar Muy Buenas (Carme, 63 -1918-) y el London Bar (Nou de la Rambla, 34 -1909-). Bar Oller (paseo de Sant Joan, 146) Vermut, cervezas y tapas. Un bar tradicional de barrio, que conserva la decoración original de 1928. Se encuentra junto a la fuente de Hércules (1798), también conocida como fuente de los Leones. Bar Pastís (Santa Mònica, 4) Copas en un diminuto bar de estilo marsellés y ambiente portuario fundado en 1947 en pleno barrio Chino. Para bohemios amantes de la música de Edith Piaf, Jacques Brel, Carlos Gardel, Georges Brassens, etc. Biblioteca Francesca Bonnemaison (Sant Pere Més Baix, 7) Situada en un señorial edificio del siglo XVI, esta biblioteca, creada en 1909, fue la primera de Europa en especializarse en temas relacionados con la mujer. Se puede acceder gratuitamente, como en el resto de Biblioteques de Barcelona, a libros, revistas, diarios, CD, DVD, Internet, etc. Biblioteca de Sant Pau-Santa Creu (Hospital, 56 – Carme, 47) Ubicada en una de las salas del que fue el principal hospital de Barcelona durante 500 años, hasta principios del siglo XX, es el lugar idóneo para practicar el arte de la biblioterapia bajo bóvedas de crucería centenarias. Bodega Saltó (Blesa, 36 – bodegasalto.net) Cenas frías, vinos y copas. Una de esas bodegas, con un siglo de historia, a las que las amas de casa solían ir a buscar vino a granel. Con actuaciones en directo entre grandes toneles de otro tiempo. Cafè Borrell (Av. Paral•lel, 84) Café y tapas. Situado frente al Molino, este café centenario (1909) es un vestigio del tiempo en que el Paralelo era el corazón del ocio nocturno barcelonés, con sus tabernas, cafés cantantes, teatros, carpas de circo y barracones de feria. Conserva algunos curiosos aparatos antiguos: gramolas, ventiladores, teléfonos, radios... Cafè del Centre (Girona, 69) Café. El tiempo parece haberse detenido en este café de mesas de mármol, bancos de madera y columnas de fundición, abierto en 1873. Muy cerca del Forn Sarret (Girona, 73) y de Queviures Betlem (Girona, 70), dos establecimientos de finales del siglo XIX. En el portal que está entre Queviures Betlem y el Bar Funicular fue detenido, el 25 de septiembre de 1973, el anarquista Salvador Puig Antich, uno de los últimos condenados a muerte del franquismo. Cafè de les Delícies (Rambla del Raval, 47) Cafés, tes, cenas frías y copas. Situado en plena Rambla del Raval, este delicioso café de ambiente bohemio ocupa una antigua tienda de mimbres de 1850. Gracias a una máquina de discos rescatada de los Encantes, aquí sigue sonando la música de la década de 1970. Cafè de l'Òpera (Rambla, 74) Café. Fue abierto en 1876 como restaurante y en 1929 se transformó en café. Al entrar, conviene fijarse en la puerta y también alzar la vista para contemplar los rótulos de un antiguo banco. En el interior, destacan las columnas de fundición y la decoración de los espejos. Ca l’Estevet (Valldonzella, 46) Cocina de mercado en pleno Raval, no muy lejos del CCCB y el MACBA. Por este restaurante, que lleva más de un siglo sirviendo platos, han pasado celebridades de la talla de Orson Welles. Can Culleretes (Quintana, 5) Cocina catalana en el restaurante más antiguo de Barcelona, fundado en 1786. En pleno centro de la Barcelona medieval, a un tiro de piedra de la plaza del Pi y el Call judío. Casa Leopoldo (Sant Rafael, 24) Restaurante fundado en 1929, a escasos metros de donde pocos años antes había sido asesinado Salvador Seguí. En sus orígenes era mesón y bodega a precios populares, pero hoy lo frecuentan intelectuales y personalidades de la política y el espectáculo. Centre Cívic Torre Llobeta (Santa Fe, 2, bis) Una de las masías más antiguas de Barcelona (siglos XV-XVI), muestra espléndida de arquitectura gótica, con dovelas en las puertas y ventanales esculpidos. Además del centro cívico, alberga una biblioteca pública. Centre de Cultura Contemporània (CCCB) (Montalegre, 5) Conferencias y exposiciones en lo que fue la Casa de la Caritat, una institución asistencial de origen medieval que se encargaba de personas pobres e incapacitadas para el trabajo. En el Pati de les Dones (siglo XIX), se pueden leer todavía las máximas con que se pretendía “educar” a las mujeres acogidas. El Cangrejo (Montserrat, 9) Taberna de ambiente bohemio y canalla, vestigio de la época en que el Barrio Chino estaba plagado de locales flamencos (1902). Por aquí han pasado personajes de la talla de Dalí, García Lorca, Joan Miró y Carmen Amaya. El Gallo Quirico (Avinyó, 19) Cocina paquistaní. Junto a la casa de Hércules (que ocupa el número 17 y es del siglo XVI), tiene la particularidad de que las mesas del fondo están apoyadas sobre la mismísima muralla romana de Barcino. El Nus (Mirallers, 5) Copas. Un bar con encanto, que conserva algunos vestigios del colmado que fue, en la calle donde en otro tiempo trabajaron los fabricantes de espejos. Si accedemos a la calle Mirallers desde Vigatans pasaremos entre caserones centenarios y junto a una carassa como las que en la edad media anunciaban la proximidad de un prostíbulo. El Sortidor (plaça del Sortidor, 5) Cocina catalana y mediterránea. Este café restaurante fue inaugurado en 1908, cuando la magnífica fuente de Ceres que dio el nombre a la plaza todavía no había sido trasladada a Montjuïc. Vivió su época más bulliciosa durante la Exposición Internacional de 1929 y todavía hoy conserva su antiguo mobiliario. Els Quatre Gats (Montsió, 3 bis) Café-restaurante. En la casa Martí, obra modernista neogótica de Puig i Cadafalch. Entre 1897 y 1903 fue lugar de reunión y exposición de artistas como Ramon Casas, Santiago Rusiñol, Picasso y Nonell. Escribà (Rambla, 83) La antigua Casa Figueres fue una fábrica de pastas alimentarias. De entonces conserva la decoración modernista (1902), obra de Antoni Ros, pintor y escenógrafo, y de todo un equipo de artistas del vidrio, la escultura, el mosaico, la madera, el hierro... Hoy es una las pastelerías más conocidas de Barcelona. Fonda L’Havana (Lleó, 1) Tapas y cocina casera catalana en un restaurante de los de toda la vida. Situada en una zona del Raval que se urbanizó en la segunda mitad del siglo XIX, L’Havana fue siempre la más frecuentada de las fondas que llenaban la calle Lleó. Tal vez por eso ha pervivido. Granja Viader (Xuclà, 6) Chocolates, cuajadas, flanes, pasteles, mató con miel… Junto a la iglesia de Betlem, esta granja fue fundada en 1870. Aquí se inventó el Cacaolat en 1931. La Clandestina (Baixada Viladecols, 2) Zumos, tes, pasteles, narguiles y bocadillos. A un paso de una torre de la muralla romana muy bien conservada (plaza dels Traginers) y muy cerca de algunos palacios medievales (calle Lledó, números 13, 11, 7, 4-6…) comparables a los de la calle Montcada. La Confitería (Sant Pau, 128) Cafés, tes, cenas frías y copas. A pocos metros de la joya del románico barcelonés, Sant Pau del Camp, esta antigua pastelería conserva la decoración de 1913 (los rótulos de la puerta, los escaparates, el mostrador de mármol, los espejos, las pinturas, las lámparas…). La Granja (Banys Nous, 4) Cafés, chocolates, tes, infusiones, batidos y bocadillos. En Banys Nous, la calle donde los judíos de la Barcelona medieval realizaban sus baños rituales. La Granja data de 1872, pero el trozo de la muralla romana que hay al fondo, de muchísimo antes... La Palma (La Palma de Sant Just, 7) Vinos, cavas, vermut, embutidos, quesos... En la Barcelona más antigua, a escasos metros de la plaza de Sant Just (donde se levantan la iglesia gótica dels sants Just i Pastor y una fuente de 1367), esta es una de esas bodegas de toda la vida, de las que ya quedan pocas. La Paloma (Tigre, 27) Sala de fiestas. Data de 1904. Conserva la decoración de Salvador Alarma (escenógrafo del Liceu) y Manuel Mestre (1915-1919): pinturas con escenas de baile, relieves, dorados, una gran lámpara… La Tete (Comtessa de Sobradiel, 4) Tes, infusiones, pasteles caseros y platos vegetarianos en un ambiente alternativo. En la edad media estuvo en esta zona el Palau Reial Menor, del cual sólo se conserva en parte la fachada de la capilla (calle Ataülf, 4). La Vinya del Senyor (plaça de Santa Maria, 5) Vinos y tapas en un lugar privilegiado, frente a la entrada principal de la gran joya del gótico religioso barcelonés: Santa Maria del Mar. Llibreria la Central del Raval (Elisabets, 6) Libros en la antigua iglesia de la Casa de la Misericòrdia (1693), que acogía niños abandonados y vagabundos sin hogar. Sobre la puerta, dos ángeles sostienen el escudo de la ciudad. Marsella (calle Sant Pau, esquina con Sant Ramón) Uno de los bares más antiguos de Barcelona. Fundado en 1820 por un marsellés que trajo de Francia la absenta. Los espejos, las mesas de mármol y las botellas cubiertas de polvo recrean el ambiente noctámbulo y bohemio del siglo XIX. Cerca de la Rambla del Raval y del lugar donde cayó abatido Salvador Seguí. Otman (Cirera, 4) Moda, tes y comida marroquí. En una de las calles más estrechas y ocultas de Barcelona. Si llegamos a ella por Flassaders desde el paseo del Born, pasaremos por delante de la antigua fábrica de moneda de Barcelona (número 40), que permaneció activa hasta 1836, sobre cuya entrada hay un gran escudo borbónico. Pati Llimona (Regomir, 3) Centro cívico que ofrece conferencias, exposiciones y toda clase de cursos y talleres. Ocupa el palacio de la familia March (siglo XIV), que a su vez se construyó sobre dos vestigios que se pueden visitar libremente: un lienzo de la muralla romana y una de las puertas de Barcino. Puda de Can Manel (paseo Joan de Borbó, 60-61) Restaurante de cocina marinera situado en una puda. Las pudas, características de la Barceloneta del pasado, eran almacenes de planta baja sobre los que se construyeron, retiradas, viviendas. Quimet d’Horta (plaza Ibiza, 10) Lugar emblemático de tapeo en el meollo de la Horta más antigua, a un paso de Can Mariner y de la plaza de Santes Creus. Sala Parés (Petritxol, 5) Sala de arte. Fundada en 1877, ha exhibido la obra de grandes artistas como Picasso y Rusiñol. Situada en una calle de origen medieval (aunque la mayor parte de los edificios actuales es del siglo XIX), llena de pastelerías y granjas. Salterio (Sant Domènec del Call, 4) Tes, infusiones y comida mediterránea. Cerca de la plaza de Sant Jaume, en el centro de lo que hasta 1391 fue el barrio judío de Barcelona, a unos metros de una sinagoga y de una lápida en hebreo (calle Marlet, números 5 y 1). Se recomienda fijarse en las fachadas, las portadas y las ventanas de los números 3-5, 4 y 6. Taverna Can Margarit (Concòrdia, 21) Vinos y cenas. Situada en una casa pairal de 1850 que en 1900 se transformó en bodega, esta taberna es un lugar de ambiente casi rural donde cenar entre toneles y objetos de otro tiempo. Teatreneu (Terol, 26-28) (Website) Gastronomía, copas y teatro en el antiguo local de la Cooperativa de Teixidors a Mà (1876), una buena muestra del asociacionismo obrero de Gracia. Tèxtil Cafè (Montcada, 12) Cafetería y comida mediterránea. En la calle más aristocrática de la Barcelona medieval y a un tiro de piedra de Santa María del Mar, este café tiene el privilegio de encontrarse en el soberbio palacio del marqués de Llió.
What's on. Hang out - BCN NightlifeCouchsurfers in Barcelona generally not only like museums and the beach a lot, they also tend to spend a lot of their time in bars and clubs.Here is a selection of some of their favourite places. Most nightclubs in Barcelona charge entrance fees (with a drink included) but in the following websites you can get free list entrance to some of the trendiest clubs. [revive la noche http://www.revivelanoche.com] [Golden Designer http://www.goldendesigner.net] [You Barcelona http://www.youbarcelona.com] [Barcelona parties http://www.barcelonaparties.com] Barcelona AgendaFor suggestions about meetings, events and CS activities in Barcelona, check our calendar. A live music scene guide: barcelonarocks.com. A weekly guide with cool, rather hipster ('moderno') concerts, parties, exhibitions, etc: lecool [2]. You have to subscribe but it's free. Barcelona GratisThings to do for free in Barcelona: Barcelonagratis.com. Butxaca, cultural agendagigs, festivals and other cultural events Butxaca website
Bars
Live Music!
Tapas
Clubs
RestaurantsCheap eats in Barcelona....
Flamenco ShowsWilling to see and dance some Flamenco? Yes, it is also possible in Barcelona!!!
AccommodationSuggested hostels in the city center Barri Gòtic area: Hostal Kabul - Website | Itaca Hostel - Website | Hostal Quartier Gothic - Website | Hostal Levante - Website | Alternative Creative Youth Home Hostel - Website | Ideal Youth Hostel - Website | Suggested hostels not in the city center but well comunicated Barri Clot area near Plaça de les Glòries: Barcelona Urbany Hostel - Website | Barri Les Corts area, near L'Illa Diagonal Mall, not far from Sants Stació(Sants train station): Youth Hostel Pere Tarres - Website | Alberguinn Youth Hostel - Website | Barri Sarrià - Sant Gervasi area : INOUT HOSTEL - Website located in nature but very near Barcelona | Suggested hostels in Barcelona Surrondings Badalona : Barcelona Dream Hostel - Website very near Barcelona 15 min by metro|
Viladecans town (15 km from Barcelona city center - reachable by metropolitan bus): Camping Filipinas - Website with contact info | Camping Ballena Alegre - Website with contact info | Camping Tres estrellas: - Website | Camping Toro Bravo - Website | Squats - Casas okupa Sometimes people ask for them as a place to stay, we cannot say if you will be accepted or not, but you can just try! Useful websites to find accommodation in Barcelona HiHostels Website | Gomio Website | Barcelona30 Website | hostels.com Website | hostelbookers.com Website | hostelworld.com Website | Rooms4rent Website | Useful websites and places to find Long Term accommodation in Barcelona Websites 'Barcelona rent room or flat' group in CS | Loquo.com Website | Habitatge Jove Website | Borsa d'Habitatge Website | Easypiso.com Website | Pisocompartido.com Website | Rooms4rent Website | Col·legi administradors de Finques Website | Barcelona Metropolitan Magazine Website | Places BORSA D'HABITATGE JOVE (Barcelona city hall - Youth acommodation service) Plaça Rius i Taulet, 3 (Gràcia). Monday to friday (9 to 19h) 93 291 43 43 (borsa) habitatgejove@bcn.cat http://www.provivienda.org/sjh_menu.php Moving to BCN. What do I need to do?General informationRelated CS group: Moving to Barcelona NIENúmero de Identificación de Extranjero
Seguridad SocialGetting a Security social number? Very easy ! Be sure to take with you the following documents to go to Seguridad Social offices:
There are several offices in Barcelona were you can get the Security Social number. Check out this link to see where your closest one is situated EmpadronamientoBasically, to get empadronado is to register with the community where you live. It makes you an official member of the community and benefits both you and the community. The community, because they get funds based on how many people they have registered which goes into health-care, schools, security etc. It benefits you because you are now a member of the community (not to be confused with resident) and can enjoy benefits like your own doctor at the hospital, numerous discounts at leisure centers and other places, gives you the right to vote, put your kids in the local school etc. It is also needed for a variety of administrative procedures. To get your empadronamiento you will need to go to the Ayuntamiento (city hall) or Junta Municipal de Distrito (neighborhood administrative office) and bring:
It is a quick procedure and usually only takes a few minutes if there is not a line. Interesting to know about the Empadronamiento is that it is STRICTLY CONFIDENTIAL. For those who don’t have their papers in order, they have nothing to fear from registering. It’s in the city’s best interest to have an accurate count of the number of people within their jurisdiction and they will NOT use this list to go after illegal immigrants or those who overstay their visas. CatSalut
The documents needed are the following:
Bank Account
Normally when you open a bank account you need some documents ready in order to have not to come back again:
There are many different banks, so every bank has its own procedure and can be better than another one. Please have a look at the following banks and look carefully their internet sites:
Some banks could be asking you to give them your salary paper because they are strict so be sure you start with a bank where they don't ask for it : La Caixa Other Information
Normally it's not hard to find a shop where to make copies so you don't need anything more than walk some meters and you will always find an internet cafe' or some newspaper shop where you can ask to make a copy of your passport
There are 2 ways to take them:
Other links & informationBAR CEL ONA - Personal NamesHey Couchsurfers, if you haven't seen these places and don't know these names, then you haven't been to Barcelona. :DDDD Antoni Gaudí i Cornet (1852-1926)Antoni Gaudí i Cornet was born in 1852 in Reus to a family of coppersmiths from Riudoms. The smallest of five brothers, he moved to Barcelona in 1873 to study architecture, which he finished four years later. It is said that on awarding him his degree, the Director of the School of Architecture, Elies Rogent, muttered “Who knows whether we have given the degree to a madman or a genius: only time will tell”. His first professional assignment was to design the new buildings of the textile cooperative of Mataró (1878), for which Gaudí conceived unusual catenary arches of wood and a giant bronze bee (symbol of the cooperative). In the same year, he designed a glass and crystal ware cabinet decorated with wrought-iron, mahogany and marquetry for a Catalan glove manufacturer, Esteban Cornellá, to display his products at the Universal Exhibition of Paris. The display cabinet seduced Eusebi Güell, an industrialist, aristocrat and rising politician, who was to become the patron of the young architect. Gaudí’s first commission for Güell was to design the furniture of the pantheon that the Marquis of Comillas, Güell’s all-powerful father-in-law, possessed on the outskirts of Santander. This assignment was followed by another, a pergola decorated with globes and hundreds of glass pieces. From then on his career and his work, which in the course of time became one of the most famous symbols of Barcelona, were intimately linked to the Güell family. In 1883 the Church commissioned him to build the Sagrada Família, which was to become the great work of his life, and in which he invested all the efforts of his last years. This gradual concentration on the great expiatory temple ran parallel to the consolidation of a fervent Catholicism, an aspect which had not been apparent in the young Gaudí. In his maturity, the great Catalan architect was known to be a frugal and solitary man who devoted all his energy to the profession through which he expressed his two great passions: Christianity and Catalan nationalism. His obstinate defense of Catalan identity even led to his arrest by the police in 1924 on Catalan National day (11th September), for refusing to submit to an officer who ordered him to speak in Spanish. On 7th June 1926, Gaudí was hit by a tram when he was crossing the Gran Via. Initially on his admission the staff of the hospital, who struggled to save his life for three days, took him for a beggar because of his humble attire. La RamblaThe original Rambla was a wide, rambling path that ran down the southern limits of the city parallel to the medieval wall built by king James 1st in the 13th century. One hundred years later a new wall would surround the Raval and leave the Rambla wall enclosed, without its theoretical defensive function. However, the wall gates (Santa Anna, Portaferrissa, Boqueria, Trentaclaus and Framenors) did not disappear and continued to be meeting points for open air markets, or were “recycled” into new buildings, such as a cannon factory. “Rambla”, in Arabic, means “watercourse” and this is precisely what it was: a torrent, known as the Cagalell, which had become both the sewer and the moat of the city. In the 16th century, the first religious centres (Convent de Sant Josep, 1586), schools (Estudis Generals, 1536) and theatres (Teatro de la Santa Creu, 1597) began to appear on the southern bank. Thus the 17th-century Rambla had the city wall on one side and churches and convents on the other side, in what is now the Raval district. In the late 18th century, military engineers under Juan M. Cermeño transformed this wide ditch into an elegant avenue, channelling the stream under ground and clearing plots for new, aligned buildings. There is only one Rambla, but each section has been given a different name: going up from the port you will walk along Rambla de Santa Mònica, Rambla dels Caputxins, Rambla de Sant Josep, Rambla dels Estudis and Rambla de Canaletes. These names are not gratuitous but correspond to the monasteries, churches or buildings that stood beside the avenue that began to take shape as the ditch was filled in. In 1768 old king James’s wall was demolished and work began on the construction of some of the most emblematic buildings, such as Palau de la Virreina and Palau Moja, and Casa March de Reus (built by Joan Soler i Faneca in 1780) which is left behind down the Rambla, at number 8. The last great transformation of the Rambla was in the 19th century, when the disentailment of the church’s property as a result of liberal policies led to the disappearance of most monasteries that stood on it. They were replaced by new streets (Carrer Ferran), public spaces (Plaça Reial), markets (La Boqueria) and buildings that have become emblematic (Liceu). The Rambla is currently the best showcase of the city, of its history and of the life of its citizens, as was described by the Catalan writer Josep Plà in one of his works: “The Rambla is a marvel. It is one of the few streets of Barcelona in which I feel fully at ease. There are always enough people to meet someone you know, but there are always enough people to go unnoticed if you wish”. Sagrada FamíliaGoing up Carrer Sicilia and turning right at Carrer Mallorca we reach the TEMPLE EXPIATORI DE LA SAGRADA FAMÍLIA. (EXPIATORY TEMPLE OF THE HOLY FAMILY). Gaudí was a unique architect in his time, and one of the few in the history of architecture to have had a commission that lasted a lifetime -in fact, a commission that outlived him. The Sagrada Família is a work of great brilliance and ambition and of giant aspirations. The origin of the Expiatory Church of the Holy Family dates back to 1869 when Josep M. Bocabella, founder of the Josephite Association dedicated to fostering devotion to Saint Joseph, had the idea of building a church to honour the Holy Family (Saint Joseph, the Virgin Mary and Jesus Christ). Bocabella bought a site and in 1882 started to build a church in a Neo-Gothic style with the aim of creating a cathedral for the poor, to counteract the anticlerical radicalism that was beginning to spread among the lower classes of Barcelona (the city anarchist leader Mikhail Bakunin had pointed out as the most revolutionary in all of Europe). However, in the course of time the church took on a very different meaning as conservative Catalan nationalists began to identify with the project. The initial design of the church was by Francesc de Paula Villar, but the lack of understanding between the owner and the architect led to a radical change of plans. Villar was dismissed and replaced by Antoni Gaudí, who finished the crypt and presented a new, far more ambitious plan: to build a cathedral with a great, central, 170-metre-high tower dedicated to the Saviour. Pious Mr. Bocabella was thrilled with the idea and Gaudí plunged into the project. Progress, however, was not easy. In 1891 he started work on the Nativity façade: thirty-four years later, in 1925, Gaudí had finished only the first of the four bell towers that crown this façade. The other three were finished after the death of the architect. The Sagrada Família may be considered a Bible in stone, owing to the great number of Christian symbols that Gaudí placed on its façades. These include, or rather will include once finished, Adam and Eve, the Twelve Apostles, all the episodes of the life of Jesus and all the main symbols of the Old Testament. The Sagrada Família is, indeed, a monument that could be used as an introductory crash-course to Catholic religion. The importance of this building is not, however, exclusively religious. It is also the “book of Gaudí”, the clearest lesson of his way of building, a kind of testament in which Gaudí applied all the structural solutions that he had studied and tested in his different works. The work where he paid his last homage to nature, which he called “the best builder” and which he always strove to imitate. One can see this clearly in the way the church is supported on leaning columns whose branches support small hyperboloid sections of vault, producing the effect of a forest. The Nativity Façade, on Carrer Marina, is Gaudí’s great work. Almost completed by the architect, it attempts to express and communicate the joy of creation through the birth of Jesus. In the central archivolt, one can see Jesus, Joseph and Mary under the Star of Bethlehem and with the ox and the mule, surrounded by angels, musicians and singers. A careful examination of the façade’s decoration reveals over a hundred plant species and a hundred animals sculpted on the archivolts and ribs. This façade has three doors. The central one is the Door of Charity, inscribed with the names of the genealogy of Christ, from the beginning of the snake with the apple to the baby Jesus with the ox and the mule, and the signs of the Zodiac as they were on the day of Christ’s birth. On the south side is the Door of Hope, representing the marriage of Joseph and Mary, the flight to Egypt, the massacre of the innocents and a representation of the Montserrat mountain with the inscription “Salveu-nos” (“Save us”: Montserrat Mountain is traditionally considered a holy mountain and the Virgin of Montserrat the patron of Catalonia). On the opposite side is the Door of Faith representing the scenes of the Visitation; Jesus among the wise men in the temple and at his carpenter’s bench. The pinnacles of this façade resemble ears of corn and bunches of grapes, presided by the image of Mary as the Immaculate Conception. The façade as a whole celebrates the triumph of life. The Passion Façade on Carrer Sardenya is the counterpoint to the Nativity Façade. This façade includes over a hundred contemporary sculptures evoking the Passion by the sculptor Josep Maria Subirachs. Desolation, nudity, pain and sacrifice all accompany the death of Christ to announce his resurrection and ascent to heaven. Gaudí often repeated that, had he started with this façade, people would have rejected the Sagrada Família outright. In contrast with the decorated, ornamented and turgid Nativity Façade, the Passion Door is harsh and naked, as if it were made of bones. Through a larger portico supported by six large leaning columns as sequoia tree trunks, an immense pediment rises with 18 smaller columns supporting an inner portico. The lack of decoration concentrates the tragedy in the dramatic main events, presided by the naked figure of Christ at the moment of his death. The main façade, which will represent the life and destiny of man, is still to be built. According to Gaudí’s plan, it will face the sea looking over Carrer Mallorca, which would be covered by a large plaza reached by a huge staircase rising from what today is the doomed block of houses facing the temple. What is beginning to take shape is totally new forms in the naves of the church, which show unusual geometrical and structural solutions. The naves of the church are the result of years of study and reflection: it wasn’t until 1910 that Gaudí started the study of the naves, incorporating the experience he had acquired in the chapel of the Colònia Güell. However, the discovery of the luminosity of the hyperboloid led Gaudí to use concave-convex domes fitted to columns, walls and windows. At a scale of 1/10, this was the vision of the forest that he often used to explain his design. The museum of the church conserves the history of its construction in site plans, photographs of different periods of the construction, fragments of models, iconography and wrought iron, wood and metal work designed by Gaudí, in addition to photographs and an audiovisual presentation on other buildings by the same architect. One can also see the models of the central nave and the façades. The most outstanding exhibits are the model that was used to calculate the structure of the church of the Colònia Güell (a solution including slightly helicoidal columns and paraboloid-helicoid arches) and a score of original drawings by the architect. There are also photographs of other buildings by Gaudí and elements that he designed and that were modelled in the workshops of the church. One of the adjoining facilities is the Sagrada Família Schools, a simple curvilinear building with the stamp of Gaudí that dazzled Le Corbusier with its technical boldness. These schools, originally intended for the children of the builders who were working on the site, form an innovative building in which Gaudí did not use iron and made all the structures with brick, thus achieving great plasticity with a very cheap material. Lluís Domènech i MontanerThe son of a bookbinder, Lluís Domènech i Montaner was born in Barcelona on 27 December 1849. He was a versatile man who combined his passion for drawing with literature, history, deluxe editions, teaching, politics -and of course architecture. Domènech understood the work of an architect as similar to that of an orchestra conductor. He held the baton and all the instruments (the glaziers, the sculptors, the carpenters, the manufacturers of mosaics and paving...) had to sound perfect. The young Domènech was a brilliant student of physical and natural sciences in Barcelona, and later of engineering in Madrid. This discipline led him finally to study architecture, in which he qualified in 1873. He was a lecturer at the School of Architecture of Barcelona from its foundation in 1875 (so he taught Gaudí and Puig i Cadafalch), and he was director of the School from 1900 to 1920. The publication in 1879 in the journal La Renaixença of the article “En busca de una arquitectura nacional” (“The quest for a national architecture”) gave him, along with other later works, a certain fame as an art theoretician and disseminator of the latest ideas in architecture, especially those of his much admired Viollet-le-Duc. Considered today by many to be the “most Modernista” of the artists of Catalan Modernisme, Lluís Domènech did indeed travel and he knew what was being done in the rest of Europe by the artists of the Art Nouveau, Secession and the Arts and Crafts movements, with some of whom he established a friendship. He was, in fact, a humanist of his time, who developed himself in a wide range of fields, including botany, publishing and illustration. He was one of the most outstanding heraldists in the country, a journalist of certain renown and on several occasions he was elected president of the Ateneu Barcelonès, the main cultural association of the time. He had a long political career, starting in a Catalan nationalist movement called Jove Catalunya (Young Catalonia) and reaching the presidency of the Lliga de Catalunya and the Unió Catalanista, the first major parties of the Catalan Renaixença (the “Rebirth” of Catalan culture and nationalism, which came to life in the second half of the 19th Century). He was foremost in the drafting of the first declaration of sovereignty for Catalonia, Les Bases de Manresa in 1892, and he was elected member of the Madrid Congress in in 1904 in the so-called “four presidents’ ticket”, considered to be the first political triumph of Catalan nationalism. Soon, however, Domènech came into conflict with the almighty leader of the Lliga Regionalista, Francesc Cambó, and he abandoned conservative Catalan nationalism to found a new left-wing party, Esquerra Catalana, and to become the editor of its newspaper El Poble Català. General Primo de Rivera in 1923 led to the dismantling of the regional structures of government in Catalonia, the prohibition of Catalan nationalist political activity at all levels, and the suppression of all but the most naive expressions of Catalan culture (even the Barcelona Football Club stadium was closed!). Domènech, always a passionate lover of life and refinement and of the most civilised forms of expression, felt profoundly affected by the brutal repression of a military regime that he could only see as illegitimate and barbaric. He retired to family life and died that winter, on the same day on which he had been born. In addition to Barcelona, Domènech performed several important works in Canet de Mar, the home town of the family of his mother, Maria Montaner, and in Reus, thanks to his great friendship with the intellectual Pau Font de Rubinat. Park GüellGaudí’s unfinished urbanistic dream, listed UNESCO World Heritage in 1984. The most ambitious urban planning operation of Barcelona in the late 19th century was idea of Gaudí’s main patron, Eusebi Güell, who in 1899 bought an old rural estate of 15 hectares called Can Muntaner de Dalt for conversion into a luxury garden city inspired in Ebenezer Howard’s model (and so the name was -and still is- spelt the English way: “Park”, as opposed to “Parc”, in Catalan). Predictably, the person entrusted with carrying out Güell’s landscape planning scheme was Antoni Gaudí. Gaudí’s project involved the construction of a housing estate of 60 private plots and large common greens. Gaudí devised the idea of a bucolic retreat for the highest bourgeoisie of Barcelona. Its location on the hillside and far from the city was ideal to symbolise the metaphor of the ascent to paradise, to Eden. The project, however, was a total failure. Development of the estate began between 1900 and 1904 and was definitively halted in 1914. One plot was purchased by the owner of the construction company developing the works, and two more plots were sold to a single purchaser, who had only one villa built. As for the common facilities, three crosses were built to mark the place where the chapel was to be erected, but only the two entrance pavilions, the retaining walls and all the road infrastructure around a large square supported by columns were completed. As a result of this financial disaster, the heirs of Eusebi Güell, who died in 1918, sold the site to the City Council, and it was decided to preserve it as a public park. The prodigious structures raised among the typical Mediterranean vegetation are a curious mixture of fantasy and spirituality, which the staunch patriot Gaudí interspersed with Catalan emblems. A work, in short, where Gaudí gave up his habitual historicism and boldly chose a language of his own ranging from naturally-inspired forms to a surprisingly avant-garde plasticity. The main gate of Park Güell, featuring a brick wall decorated with mosaics, is protected by a wrought iron railing and flanked by two evocative pavilions that reproduce the story of Hansel and Gretel, which was performed as an opera at the Liceu in late 1900, the same period Gaudí began to design the Park Güell. The smaller one on the left with a double cross on the roof, is the house of the children Hansel and Gretel: it currently has a bookshop and souvenir shop on the ground floor. The house on the right, crowned by a poisonous toadstool-shaped dome, represents the Witch’s dwelling -interestingly, it was meant to be the house of the Park’s guard. It now houses the Interpretation Centre of the Park, part of the Barcelona History Museum. The free-access ground floor has information on Gaudí’s work, but you must pay a fee to go upstairs to see the original house of the guard and the exhibition “Gaudí and Park Güell. Architecture and Nature”. Beyond the two pavilions, on the right one can see a kind of grotto supported by a central column that becomes wider at the top, as if it were a wine glass, meant as a shelter for carriages and horses on rainy days. The main staircase is parted by a small waterfall featuring the famous multi-coloured dragon of glazed ceramic trencadís. The stairs lead to the hypostyle hall, also known as the Hall of the 100 Columns though it only has 86. This hall, originally intended to be the market of the future housing estate, was decorated by Gaudí’s assistant Josep Maria Jujol, who was given 'carte blanche' to do so. The result was exceptional: an undulating ceiling of mosaic with varied incrustations forming capricious spirals. When this zone was restored in 1992 lights were added at the base of the columns, which create a spectacular resemblance to a Greek church at night. From the hypostyle hall two paths lead to the great circular square, a marvellous belvedere overlooking the city. According to Gaudí’s initial design, this square was to collect rainwater, channelled down inside the columns of the hypostyle hall to be collected in a huge cistern holding up to 12,000 cubic metres (not open to the public). The square is surrounded by a winding bench of trencadís in which the imagination of Gaudí and Jujol achieved an extraordinary boldness, considered by some specialists a forerunner of abstract art. The bench is a symphony of colours: greens, blues and yellows are used in different combinations, forming moon shapes and stars and abstract flowers. Colour, however, fades away gradually from left to right, and at the far right the bench is mainly white, the symbol of purity. The bench seems to hint that human life is a kaleidoscope of colours that culminate after death in heavenly white. The white of this part of the bench is not, however, a pure white: here Gaudí used materials that had been rejected in other buildings, such as Casa Batlló, precisely because of the “impurity” of this white. The last restoration of the bench (1995) has maintained this imperfection by using up to 21 different hues and shades of white to replace the deteriorated parts. Other unusual features of the Park Güell are its bridges and viaducts, with twisted, grotto-like columns. The fourth portico that connects the upper part with the lower part is perhaps the most Surrealist structure, with the leaning walls and arches that recall images by Dalí. The summit of the park is crowned by a monumental Calvary formed by three crosses at the place where Gaudí had planned to build the chapel. Even here the feverish architect had symbolic fantasies. If we look toward the east -toward Jerusalem, as it were- the perspective seems to merge all three crosses into one. This is the final point of the ascent: the cross is the ultimate symbol.
Tramvia BlauNear La Rotonda, at the beginning of Avinguda del Tibidabo, there is a stop where you can catch the TRAMVIA BLAU. (BLUE TRAM). This tram, which originally dates from the Modernista period, is a pleasant way to approach the mountain, on a relaxed ride between majestic houses and gardens up to the funicular lower station. The six trams on the route cover the distance of 1,276 metres, including a difference in altitude of 93 metres, at an average speed of 10 kph. The Tramvia Blau’s first service on 29 October 1901 was the fulfilment of Doctor Salvador Andreu’s ambition to open up an alternative way to the Tibidabo, direct to his funfair at the summit. At first the fleet consisted of four trams that covered the route between Passeig de Sant Gervasi, the end of the line for Barcelona’s urban trams, and the lower station of the Tibidabo funicular half way up the mountain. In 1981, following a long period of restoration work, two old trams were put back into operation: tram number 2 from 1901, which had been out of service for 30 years, and the model popularly known as “la Jardinera” (“the Flower Box”) which had once run along the sea front. The renewal of the tracks on 1984 and the construction work on the city’s second ring road in 1990 affected the line’s old route. However, advantage was taken of this circumstance to build a new transformer station and refurbish the tracks and the tram sheds.
Mercat de la Boqueria1200 - 1700 (Origin)The Boqueria Market, as known nowadays, has been through many phases. Throught this document, we'll try to give a faithfull description of facts Where this market comes from is uncertain, what we are sure of is that it was born as a traveling market, placed in Ramblas of Barcelona. La Rambla adquired importance as a pedestrian lane, and the market couldn't be set in a better place, and it's location was many times threatened. Taking into consideration that in Catalunya, towns and cities have been founded around markets, we find that it's origens are as an open air market, infront of one of the gates of the old wall (Pla de la Boqueria) where salesmen and fruit and vegetable vendors from other towns and farms nearby settled to sale their products. Inner spaces where small for the stablishment of a big market and was necesary to set them outside the walls. It seems that some time ago vegetables were sold precisely at Pla de la Boqueria, where farmers of orchards stablished near paseo de la Ronda, known as "huertos de Sant Antoni, Sant Pau and Sant Bertran". Furhter stoped the farmers of the neighbour towns from Corts de Sarriá and Sarriá itself and between the old greengrocers and the new ones there would be fights, that would lead to not leaving tables and other things in the same warehouses. The primitive "marmanyeres" had the wide street of Figuera to rest their products, that went from calle Hospital to la Petxina and which was obstructed to public acces because of the construction of the legendary "casa de la Sileta". The "marmanyeres" of Sarriá left their things on another street, called "Sarrianesses". The market of Pla. de la Boqueria was called Bornet. Until 1794 it was called "Mercado de la Paja" (market of the hei), that's why at that time it was know as Pla del Peso de la Paja (Square of the Weight of the Straw) The market was surrounded by portics intending to be the first market in Europe. Later the Market didn't get built as it was projected. With all that, the market of Pla. de la Boqueria didn't have official caracter and became an extension of "Plaza Nueva" which grew to Plaza del Pi and by the riera with the same name connected with la Rambla. 1701 - 1900It was believed convinient to take the market out of those two sqares and reorganize ir in Rambla de Sant Josep, and then the fish shops was built and butcher and bird shops were built, which formed streets by the side of the convent and the Virreina. The open air market, in Rambla de Sant José was inaugurated October 18th, 1827. - In 1823 it moved up to "Convento del Carme", but when religious orders went back to convents it went back to la Rambla, from where still wasn't taken out at all. Then it was projected to built a special constructiion for the market in the orchard of Infants Ofres' house, by calle Elisabets. - In 1826 The Marquee of Campo Sagrado, general captain of Catalunya ordered to regulate for the first time the flying market of la Boqueria. In 1835 took place the destruction of the convent of Sant Josep, then a square similar to the Plaza Reial was constructed in its lot, everything surrounded by porches and named Plaza del Treball. It had to had gardens and foutains and a very high column of monumental, allegorical sense of the work. At that time it would've been the the greatest square in Barcelona, since it had to connect with Jerusalem street. When the urbanization was almost ready and while the moment was expected to begin works of the new market in the orchard of the "Orfes", it was believed necessary to temporarily install the market in the lot of the old convent of Sant Josep to be able to remove it from the middle of la Rambla. That's why the houses that surround and frame the market of the Boqueria form porches, that are not like the present market, but to the projected Plaza del Trabajo, in style of the Real. In 1836 when the convent of the Carmelitas dissapeared with it's church of Saint Josep, the city hall projected the construction of the market. The project was in charge of the architect Mas Vilá. That year the market was inaugurated. St. Joseph's day in 1840 the first stone of the market of la Boqueria was placed. In 1848 was constructed an enclosure for the fishmonger's shop behind the palace of the Virreina. Also was built the pavilion "Repeso" that would later become the office of the Direction and Veterinary Services. The new market was insufficient. - In 1853 the market acquired to official character when 14 florists paid their tables, and they were uniformed. This is the origin of the florists of la Rambla. -In 1861 some fruits and vegetables salesmen wer allowed to settle provisionally at Plaza Sant Agustí and it was then when la Rambla remained exclusively for flower stands. Many salesmen gave out a flower for the purchase of some of their products. The sale of flowers increased. - In 1863, the retail places of fruits and vegetables, settled underneath the porches. - In the 1869 the convent of Jerusalen was demolished, behind the market to extend it in that direction. - In Christmas of 1871, the gas illumination was inaugurated. In 1911 the actual fishmonger's shop was built. In the beginning of the XIX century, la Rambla had from Carme st. to la Petxina, the width that has today the front part of the Palace of the Virreina. In the space between the houses and the trees, was the market divided in differentiated sectors (according to the product that was dealt). 1901 - 2007In 1914 the market with the metal deck was inaugurated. As from there it began to modernize and to improve, not only at sanitary level, aesthetic, and decorative. These places have been demolished several times. Before in Plaza Galdrich (of the farmers) there were wooden shaks, where gentlemen with a typewriter wrote up what people asked them to. Long lines formed. These services we give them today at the information point.
TodayThroughout the years La Boqueria has become the most emblematic market of all the network. The structure, the situation, and the salesmen turn it into an obligated (must-see) to all the tourists who visit our city. This market has for the Barcelonians, the suggestion of a family memoire, it's entwined with the city history, of all our families, their popular traditions and celebrations. The present salesmen are mostly, of the third and fourth generation of salesmen of the market. They are the union of the past with the present. Inovators, full of projects and renovation ideas of la Boqueria for the new Barcelona. The commercial supply is vary; fresh fish and seafood, salty fish, tinned food, butchery and offal, birds, hunt and eggs, fruits and vegetables, herbes and dietetic, delicatessen, bread furnace, restaurants, frozens, specialities, charcuterie, farmer stops, etc... Emergency ListPolice StationsIf you are really unlucky and manage to land yourself into trouble, here's a list of the local police stations: - Ambulance, Emergencies, Firemen, Police: 112 - Police Stations in Barcelona: (+34) 93.290.30.00 - Fire Department - Bombers/Bomberos: 080 - Local Police - Guardia Urbana : 092 - Emergencies y traffic accidents - Mossos d'esquadra: 088 - Policía Nacional 091 - Guardia Civil 062 Hospitals- Ambulance, Emergencies, Firemen, Police: 112 - Medical Emergencies: 061 - Fire Department: 080 - Hospital Vall d'Hebron - Passeig de la Vall d'Hebron, 119-129 Barcelona - (+34) 93.489.30.00 | (+34) 93.274.60.00 - Web - Hospital Clínic i Provincial - Villarroel nº 170 Barcelona - (+34) 93.227.54.00 - Web - Hospital de la Santa Creu i Sant Pau - C/Sant Quintí, 89 Barcelona - (+34) 93.291.91.91 - Web - Hospital del Mar -Passeig Marítim 25-29 Barcelona -(+34) 93.248.30.00 | (+34) 93.248.90.11 - Web - Hospital de l'Esperança - Sant Josep de la Muntanya, 12 Barcelona - (+34) 93 367 41 00 | (+34) 93.248.90.11 - Web - Hospital Sant Joan de Deu specialized in children - Passeig Sant Joan de Déu, 2. 08950 Esplugues de Llobregat - (+34) 93.253.21.00 - Web - Hospital de Nens de Barcelona specialized in children - Carrer Consell de Cent, 437 Barcelona- (+34 ) 93.231.05.12 - Web - Funeral Services: (+34) 93.484.17.00 Embassies and Consulates- Foreign Embassies & Consulates in Spain: Embassies | Consulates - Spanish Embassies & Consulates abroad: Embassies | Consulates
Official and Crisis Unit- Office Against Discrimination: (+34) 93.304.31.18 - Ajuntament de Bacelona: 010 - Generalitat de Catalunya: 012 - Diputació Provincial: (+34) 93.402.22.22 - Parlament de Catalunya: (+34) 93.221.20.00 - Parlament de Catalunya: (+34) 93.221.20.00 - Parlament de Catalunya: (+34) 93.221.20.00 - Veterinarian Services - 24 hours-: (+34) 93 205 31 16 | (+34) 93.581.18.94 | (+34) 93.426.87.46 - Information about On-Call Pharmacies: (+34) 93.481.00.60
Fraud Prevention Unit, Banks & Info(Lost Credit Cards) - Visa - MasterCard - Servired: (+34) 93.315.25.12 | (+34) 91.519.21.00 - American Express: (+34) 91.572.03.20 - Dinner's Club: 902.401.112 - Red 6000: (+34) 91.596.53.35 | (+34) 91.596.53.00 (Banks) - Caixa d'Estalvis de Catalunya: (+34) 93.484.50.00 - Caixa d'Estalvis de Girona: 900.300.259 - Caixa d'Estalvis Laietana: (+34) 93.741.75.00 - Caixa d'Estalvis i Pensions de Barcelona: (+34) 93.330.70.09 | 900.300.081 - Caja de Madrid: (+34) 91.519.38.00 - Caja Ahorros de Galicia: 902.432.433 Emergency Couch(Guidance Note: Some cities, specially the larger ones will often have an Emergency Couch Group that one can access if they need a last minute couch. You can list a link to that Group here if there is one for your area. Sometimes those groups may be private with any information that is posted in them viewable only to their members as they may contain telephone numbers of hosts. As an Ambassador you will be a member of such a group, even if you chose not to be an active one in terms of offering a last minute couch. So, you need to decide whether and how a CS member who is not member in that group will access it and the information it contains if in emergency. For example you can set the group so that any member can join without permission, but only members can see the information displayed. Or, so that whoever needs an emergency couch can email to a generic email and get an automated response with a bunch of CS's details who are offering an emergency couch. It's up to the group members how they want that group to work).
Your Local CS Ambassadors(Guidance Note: Provide a link to your city's/area's nearest ambassador (if there is none in the city, then at least the one who's nearest is just as good, as a poin tof contact through CS. Any further information you put here is optional and down to you (some Ambasadors chose to make their phonenumber pubillc for members to contact them in case of emergency. If you already list that in your profile, then you could list it here as well. But, remember, you don't *have to*. If you don't offer such information, then this is absolutely understandable. Providing links to the Local Ambassador's profile, in this section, is more than enough). WorkingThe main site to find a job in Barcelona: Infojobs For English speaking jobs and work in Barcelona, check out JobsinBarcelona Pickpockets, Thieves, and Self-DefenseMOST VISITORS TO European and other countries don't encounter pickpockets or thieves regardless of how or where valuables are carried. In one developing North African country with a rap for rip-offs only five percent of visitors are victimized by thievery, according to a British magazine survey. In your travels you will mostly experience waitresses chasing you down with a forgotten camera, taxi drivers taking the best route, other backpackers looking out for your stuff, the correct change in your hand time after time, the shining honesty and kindness of good people. Nevertheless, if you make it easy there are a few thieves everywhere (including Barcelona) who may steal your property, and the trouble and expense of replacing passports, tickets, travelers checks, and gear can wreak havoc on your tour. Fortunately, with common sense and an awareness of how thieves operate, risks can be reduced. Dangerous Areas and Local InformationEvery major city has an area more dangerous than elsewhere, and a time when this is especially true. It may even be safe during the day, but becomes sinister after nightfall. Such areas are always well-known to locals, so get advice from a hotel, tourist office, or waitress. Most guidebooks include warnings about red light or seedy areas, but conditions may have changed since the information was written. Another point is that just because other travelers say someplace is perfectly safe, that doesn't make it true. It may only means they didn't encounter problems. I listened to an experienced backpacker swear how the dangers of a particular area were highly exaggerated or non-existent, when the previous day I had encountered three Germans who had been robbed at gunpoint there. Local authorities and tourist offices cannot always be relied upon, either, as they may have an interest in minimizing problems, so you always need to use your eyes, ears, instincts, and best judgment, along with a few degrees of body lean towards safety, away from recklessness. PickpocketsAs you wait in line at the crowded Amsterdam tourist office continuously blaring over the loudspeaker is this warning in six languages: "Your attention, please. Watch your wallets, there are pickpockets about!" That tourist office is tough pickings for any would-be pickpocket, as everyone is continuously fidgeting with pockets or purses, and throwing about a great many suspicious looks. I have, however, encountered a number of pickpockets in my travels. While queuing in a train station I observed a pickpocket's hand stealthily slip into a purse. For some reason the snatch couldn't be made, so he slithered into another line and attempted to lift a wallet from a back pocket. (I then made his presence known, but he immediately disappeared into the crowd.) I have also chased hands from my pockets four times--twice while disembarking crowded buses (a very vulnerable situation1); while temporarily blinded as I descended into a dark, sleazy club from a bright street; and in a market. A travel mate had her fanny pack unzipped and wallet removed while pressed against a wall of people in a crowded market. Another backpacker in the same country had been pickpocketed three times in two months, also in markets. Said he, "They're good." The professional pickpocket in the developed world has a more-or-less standard operating procedure. He chooses a likely target--someone who obviously has money within easy reach, which includes back pockets and purses. If the thief cannot get the money cleanly, he or a partner will create a distraction by bumping the target, violently colliding with the target, or spilling something on the target. The wallet is snatched and within two seconds discreetly handed to a partner who quickly walks away. The money and valuables are removed and the rest dumped within a few more seconds. Even if you see or feel what is happening, you have no evidence. The scoundrel says someone shoved him into you, you fell into him, or you were trying to rob him. Another tactic is to create a disturbance with the target's friend or partner, and then pickpocket the real target while he/she is distracted. These pickpockets look for easy marks. As long as you don't dangle your money in a purse, or dangle it in a back pocket, or otherwise dangle it on a thread ten feet behind you, they will choose an easier target, of which there are many. In the developing world you are a juicy target because pickpockets know you have ten, a hundred, or a thousand times more money than the average local. You are the target. There is no getting around that. But if you keep most of your money in a hidden money belt against your skin as detailed below, you'll be safe from pickpockets. Money Belts--Your Best Defense"Money belt" does not mean the fanny or waist pack many tourists wear outside their clothes. If you wear one of these in some areas you will immediately see "$" signs light up in some eyes. And I'm willing to bet when you see a waist pack on a tourist your first thought will be something like "Big, fat bag of money!" Imagine your thoughts if you were hungry and jobless, or a street urchin with no one to look after you. You can probably use a waist pack in Europe without incident. Millions of tourists enjoy their convenience, and they are safer than pockets and purses. But they are not nearly as safe as hidden money belts. Criminals know waist packs are "where the money is," and no waist pack is a match for their deft hands and incredibly sharp razors. Thus the primary achievement of hidden money belts is the "out of sight, out of mind" principle. It's almost a secondary benefit that they are impossible for a thief to snatch without your knowledge. Other tipsExperience BCN like a local! For tips by Barcelona locals, check out Spotted by Locals Barcelona. Info for Barcelona hostsIn your profile, you can add the following text to your "Couch Information" so you give people the basic information any CSer needs to know when planning to come to our city. If you are coming to Barcelona, check this post in Barcelona group, with basic information which is very useful for CSers who come to Barcelona: Read before posting in 'Barcelona' group - Helpful info inside - Thanks! article history edit |
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